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Time in Advance (The Galaxy Project), by William Tenn

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Originally published in the August 1956 issue of GALAXY, this novelette shows William Tenn (pseudonym for Phillip Klass) at the peak of his career in science fiction. Sardonic, profoundly disillusioned and fashioned in the form of a classic deductive mystery, the work was enormously influential and its central plot premise has been appropriated by others over many decades. Original to science fiction--perhaps to the entire body of literature--is the concept of penal terms served “in escrow”; a prospective felon is permitted to do the crime before committing the crime and for the service is granted on completion a get-out-of-jail free card. (Obviously those wishing to commit murder must serve more time in escrow than prospective thieves or embezzlers.) Tenn’s protagonist commits himself to a long term of penal servitude on a hellish planet in order that he may have the opportunity to wreak revenge upon the business partner who has betrayed him. As one of the relatively few who serve such a severe sentence in advance for a severe crime who survives, he emerges prepared to use his promissory note. What he learns however is that there are many levels of crime, many kinds of betrayal and much which is only apparently real. Written with deadpan, ungiving ferocity, TIME IN ADVANCE shows Tenn at a point where he had perfected his style toward apparent (but only apparent) effortlessness.

ABOUT THE AUTHOR

“William Tenn” was the pseudonym for his science fiction used by Phillip Klass (1920-2010); he is regarded as the finest satirist in the history of the field with an ingenious command of narrative. Tenn’s blend of compassion and ferocity, dark comedy and satire merged with the work of three other writers (Damon Knight, Cyril Kornbluth, Robert Sheckley) to create the characteristic voice of the magazine. After becoming a tenured Professor of English and Creative Writing at Penn State University in the middle ’60s, Klass virtually abandoned fiction writing, publishing only three short stories in his last four and a half decades. To reflect his importance to GALAXY magazine, three other William Tenn works are included among the 23 which compose the initial issue of The Galaxy Project.

ABOUT THE SERIES

Horace Gold led GALAXY magazine from its first issue dated October 1950 to science fiction’s most admired, widely circulated and influential magazine throughout its initial decade. Its legendary importance came from publication of full length novels, novellas and novelettes. GALAXY published nearly every giant in the science fiction field.

The Galaxy Project is a selection of the best of GALAXY with new forewords by some of today’s best science fiction writers. The initial selections in alphabetical order include work by Ray Bradbury, Frederic Brown, Lester del Rey, Robert A. Heinlein, Damon Knight, C. M. Kornbluth, Walter M. Miller, Jr., Frederik Pohl, Robert Scheckley, Robert Silverberg, William Tenn (Phillip Klass) and Kurt Vonnegut with new Forewords by Paul di Filippo, David Drake, John Lutz, Barry Malzberg and Robert Silverberg. The Galaxy Project is committed to publishing new work in the spirit GALAXY magazine and its founding editor Horace Gold.

• Sales Rank: #866659 in eBooks
• Published on: 2011-10-01
• Released on: 2011-10-01
• Format: Kindle eBook

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0 of 0 people found the following review helpful.
... Galaxy Project story I've read and it's a lot better than the first
By Mec
This is the second Galaxy Project story I've read and it's a lot better than the first.

This time around: no typos (at least, I did not see any). That makes a big difference! The awkward gaggle of six separate introductions is still there, though. And the price is a bit high for a single short story.

The story itself is wonderful. It's nearly all what-if: what if a citizen could serve a criminal sentence in advance and then have the legal right to commit one crime? I haven't seen this proposition explored in any other story before or since.

The main character does experience two stages of epiphany and that is nice.

Although the story unfolds smoothly, it could use another twist or two. The ending is not fantastic enough.

0 of 0 people found the following review helpful.
not great
By Steve
The science fiction element of the story is relatively peripheral - one could almost reset the story in the old west just by substituting six-shooters for blasters. At a distance of almost sixty years it is hard to assess how original the story seemed then.To me the story just wasn't very compelling or original.

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[I818.Ebook] Free PDF The Womanifesto, by SaVonne Anderson

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In this book of personal essays, new author, SaVonne Anderson comments on the experience of discovering womanhood by telling the story of her own journey. From the loss of her mother and overcoming shame of her body to learning to love and finding the power in her own voice, SaVonne bares all. She gives much needed insight to what it’s like to be and become a woman and gives a voice to the experiences of silenced women around the world. In The Womanifesto SaVonne encourages girls and women to be the best versions of themselves as they embrace the beauty in womanhood.

• Sales Rank: #2790735 in Books
• Published on: 2015-06-23
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .11" w x 6.00" l, .17 pounds
• Binding: Paperback
• 48 pages

About the Author
SaVonne Anderson is a 20 year old writer, feminist and social justice activist. She currently writes at SaVonneAnderson.com and has been published in For Harriet, The Comma literary magazine, LoveBrownSugar multicultural beauty blog, and more. SaVonne’s writing interests include social commentary, creative prose, and arts & culture. In her spare time, she enjoys international travel, cooking, and yoga. SaVonne currently studies at Fordham University in New York City. The Womanifesto is her first published book.

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0 of 0 people found the following review helpful.
Honest and Beautiful Look at Womanhood
By Kindle Customer
This book comes from the perspective of a 20 year old, who shares her thoughts on feminism, injustice, and how to live healthily and happily as a woman. While reading, I often found myself highlighting certain sections and openly saying "yes!" whenever the author shared some really wise and potent words. Overall, this book is a great thing for young women to read who want an introductory look to feminism, or the need the reminder on how and why it's important to love.

0 of 0 people found the following review helpful.
A must read for women and men as well! ...
By DE
A must read for women and men as well! Anderson, addresses issues most women have or will experience at one time in life. This book celebrates women and their womanhood. The Womanifesto will be required reading for my daughters :0)
This young author is well beyond her years!

0 of 0 people found the following review helpful.
A Book For All Ages (including boys & men)
By Johanna
I highly recommend this book to women and men of all ages. There are many lessons and messages that will enlighten and hopefully inspire us. Parents share this with your daughters AND sons AFTER you've read it!

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[B351.Ebook] PDF Ebook Introducing Architectural Tectonics: Exploring the Intersection of Design and Construction, by Chad Schwartz

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Introducing Architectural Tectonics is an exploration of the poetics of construction. Tectonic theory is an integrative philosophy examining the relationships formed between design, construction, and space while creating or experiencing a work of architecture. In this text, author Chad Schwartz presents an introductory investigation into tectonic theory, subdividing it into distinct concepts in order to make it accessible to beginning and advanced students alike.

The book centers on the tectonic analysis of twenty contemporary works of architecture located in eleven countries including Germany, Italy, United States, Chile, Japan, Bangladesh, Spain, and Australia and designed by such notable architects as Tadao Ando, Herzog & de Meuron, Kengo Kuma, Olson Kundig, and Peter Zumthor. Although similarities do exist between the projects, their distinctly different characteristics – location and climate, context, size, program, construction methods – and range of interpretations of tectonic expression provide the most significant lessons of the book, helping you to understand tectonic theory. Written in clear, accessible language, these investigations examine the poetic creation of architecture, showing you lessons and concepts that you can integrate into your own work, whether studying in a university classroom or practicing in a professional office.

• Sales Rank: #177611 in Books
• Published on: 2016-11-16
• Original language: English
• Number of items: 1
• Dimensions: 10.80" h x .90" w x 8.60" l, .0 pounds
• Binding: Paperback
• 422 pages

Review

"Schwartz's clear content outlines logic that designers can use for creating structures and choosing materials for their integrated designs. This logic makes these case studies relevant learning tools, particularly for younger design students."―Charlton N. Lewis, University of Texas at Austin, USA

"This book fills the void between treating the concept of detailing and tectonics in a theoretical way, and focusing on construction practicalities. I particularly like the grouping of architectural building types, and the projects are very appealing. The quality of the graphics is excellent and there are drawings at a variety of scales, explaining the details well and situating them within the overall building and site context."―Greg Johnson, University of British Columbia, Canada

"This book provides a much-needed introduction to the themes of place and tectonics in architecture. The theoretical material forms the basis for in-class discussions, and the case study projects exemplify analytic methods that students can apply to additional cases as well as their own design projects."―Michael McGlynn, Kansas State University, USA

"Schwartz appraises buildings critically with complete descriptions, useful photographs and drawings, balanced opinions, and no jargon. The book is both concise and a clearly written text on architectural theory, which is rare. This will help architecture students and designers move on from the superficiality of current fashion."―Angus Macdonald, University of Edinburgh, UK

About the Author

Chad Schwartz is an architect and educator currently serving as Assistant Professor in the School of Architecture at Southern Illinois University, USA. He teaches both design and building technology, continually seeking to merge the two bodies of knowledge. His research focuses on the introduction of critical making, tectonic investigation, and design/build into the classroom.

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[U820.Ebook] Free Ebook Anatomie humaine descriptive topographique et fonctionnelle, tome 2 : Tronc, 15e édition, by Rouvière, Delmas

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Ce tome 2 constitue une v�ritable r�f�rence en anatomie, de par le caract�re exhaustif du domaine trait� : richesse des illustrations, contenu complet et d�taill�, texte pointu. C'est la bible en anatomie. Chacun des tomes envisage une partie du corps du point de vue descriptif, topographique et fonctionnel. Cette nouvelle �dition, r�vis�e par Vincent Delmas, introduit la nomenclature internationale francis�e � la fois dans le texte et dans les illustrations et propose une nouvelle maquette. Elle s'enrichit �galement de 6 planches (13 illustrations + texte d'explication sur l'anatomie fonctionnelle des divers syst�mes). Sommaire : Le tronc : Aspect g�n�ral, division, topographie : Le thorax, L'abdomen, Le bassin ou pelvis; Squelette du tronc : Colonne vert�brale, Squelette du thorax, Squelette du bassin ou pelvis; Articulations du tronc : Articulations de la colonne vert�brale, Articulations du thorax, Articulations du bassin; Muscles du tronc : Muscles de la r�gion post�rieure du tronc, Muscles de la paroi ant�ro-lat�rale du thorax, Muscles de la paroi ant�ro-lat�rale de l'abdomen, Fascias de l'abdomen, Diaphragme; coeur et vaisseaux du tronc : coeur, Art�res du tronc, Veines du tronc, Lymphatiques du tronc; Nerfs du tronc; Visc�res du tronc : Organes thoraciques, Organes de l'abdomen, Organes de la r�gion lombale et du pelvis minor, P�rin�e, Anatomie topographique du p�rin�e.

• Sales Rank: #4795205 in Books
• Published on: 2002-09-26
• Original language: French
• Dimensions: 1.69" h x 7.05" w x 9.80" l,
• Binding: Hardcover
• 752 pages

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Metaphor, by Denis Donoghue

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Denis Donoghue turns his attention to the practice of metaphor and to its lesser cousins, simile, metonym, and synecdoche. Metaphor ("a carrying or bearing across") supposes that an ordinary word could have been used in a statement but hasn't been. Instead, something else, something unexpected, appears. The point of a metaphor is to enrich the reader's experience by bringing different associations to mind. The force of a good metaphor is to give something a different life, a new life. The essential character of metaphor, Donoghue says, is prophetic. Metaphors intend to change the world by changing our sense of it.

At the center of Donoghue's study is the idea that metaphor permits the greatest freedom in the use of language because it exempts language from the local duties of reference and denotation. Metaphors conspire with the mind in its enjoyment of freedom. Metaphor celebrates imaginative life par excellence, from Donoghue's musings on Aquinas' Latin hymns, interspersed with autobiographical reflection, to his agile and perceptive readings of Wallace Stevens.

When Donoghue surveys the history of metaphor and resistance to it, going back to Aristotle and forward to George Lakoff, he is a sly, cogent, and persuasive companion. He also addresses the question of whether or not metaphors can ever truly die. Reflected on every page of Metaphor are the accumulated wisdom of decades of reading and a sheer love of language and life.

• Sales Rank: #704522 in Books
• Brand: Donoghue, Denis
• Published on: 2014-04-22
• Original language: English
• Number of items: 1
• Dimensions: 8.45" h x 5.75" w x .80" l, .85 pounds
• Binding: Hardcover
• 240 pages

Review
For almost half a century Denis Donoghue has written stylish, weighty books, distinguished by the way they interweave an intricate sense of literary pleasure with an interest, no less intricate, in philosophical ideas…Now we have Metaphor, a characteristically intelligent and suggestive account, which reconsiders these grand philosophical tensions on the small stage of a figure of speech… Metaphor becomes an index of spiritual freedom: not a bit of tame likeness-making, like a simile. A metaphor is more like a heroic gesture towards autonomy, a rejection of the world of ‘common usage and the values it enforces.’ Donoghue pursues this theme with all his urbane powers of implication and range, finding in the metaphor a miniaturized instance of the idealist imagination…Donoghue is vivid and clever about a whole range of metaphorical uses in these pages. (Seamus Perry Times Literary Supplement 2014-08-15)

Compelling…[It] meanders gently from the charmingly personal to the keenly microscopic in its treatment of its (largely literary and philosophical) material…A true readerly pleasure in Metaphor is the intense, tactile connection Donoghue strikes between himself and the text at hand…This is the purpose of Metaphor: to make us see how and why metaphor can revitalize our understanding not just of what we read but of how we read…What [Donoghue] succeeds at doing is to force us to scrutinize with greater care, to convince us to bring a portion of ourselves to what we read, and to get us to think outside the (metaphorical) box to which our everyday associations has confined us. Making metaphor personal is the key to eliciting deeper reading. (Lianne Habinek Open Letters Monthly 2014-08-01)

You think you know what a metaphor is, but you don't, not really. Denis Donoghue's new book, Metaphor, is here to help, tracing the genealogy of the metaphor―along with its siblings, like the simile―throughout history, offering a more complete understanding of this ubiquitous literary device… Chock-full of entertaining examples and informative lessons on all types of metaphor. (Sewanee Review 2014-08-01)

[A] subtle and engrossing new book…Full of wild and beautiful examples. (Michael Wood Irish Times 2014-04-26)

Let us be clear: this is one of the more important books written by an Irish author so far this century…[Donoghue’s] magnum opus. (Mark Patrick Hederman The Furrow 2014-07-01)

In this prodigiously learned meditation, Donoghue takes readers through the history of the rhetorical device and its incarnations in poetry, fiction, philosophy, and everyday life…Rummaging through an exhaustive collection of linguistic authorities from Aristotle and Aquinas to Vico, Paul de Man, and J. L. Austin, Donoghue analyzes conflicting accounts of how metaphor shapes language and our experience of reality… Donoghue strives to show how metaphors ‘offer to change the world by changing one’s sense of it.’ Along the way, he studies verse by Shakespeare, Milton, Keats, and Stevens, among many others, weaving a thick tapestry of examples to show how metaphors are used and abused…The book successfully plunges readers into the complexities of figurative language and its power to revivify experience. (Publishers Weekly 2014-02-10)

Donoghue's gentle, appreciative reflection on literary language here comes with the wisdom of accumulated decades of wide reading and robust insight. This is a book all about imaginative life, and it is a celebration of such life par excellence. It is a treat to watch a far-ranging, first-rate mind range over poetry and prose of centuries with so much zest for more life. (Leslie Brisman, author of Romantic Origins)

A wide-ranging, deeply learned account of the ‘daring vivacities’ language can achieve from the man who wrote the book on eloquence. (Denise Gigante, author of Life: Organic Form and Romanticism)

Wonderfully combines the scholarly and the personal. Recalling his metaphor-rich Catholic childhood and hearing ‘Panis Angelicus,’ [Donoghue] unlocks Aquinas’ word-play to elucidate the view that divinity conceals itself in physical symbols. He forces us to reconsider ordinary language, what makes (or doesn’t) make one thing like another and ultimately what truth and reality actually are. (Jane O’Grady The Tablet 2014-09-27)

[There is a] difference between metaphor that illuminates and metaphor that obscures. It is one of the merits of Denis Donoghue’s book, with its rich store of examples and its intimacy with the secondary literature, that he is constantly inciting us to wrestle with that distinction. (Paul Dean New Criterion 2014-10-01)

[A] civilized and informative book…When he discusses Yeats, Joyce or Heaney, Donoghue doesn't just understand their language but feels it too, and the whole book explains through close analysis of poems by Pound, Stevens and Eliot why image and metaphor have come to occupy such a central position in modernist poetry and 20th-century criticism. (Colin Burrow London Review of Books 2015-04-23)

About the Author
Denis Donoghue has taught English, Irish, and American Literature at University College, Dublin, Cambridge University and King's College, Cambridge, and New York University.

Most helpful customer reviews

3 of 9 people found the following review helpful.
Very disappointing...
By UBG
Very disappointing. As the other reviewer said...."through a glass darkly". That's putting it gently.
Yes, the author is very learned. I'll try to give my copy away....

5 of 14 people found the following review helpful.
Five Stars
By Michael Meguid
Beautifully written

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