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Russian folklore icon Baba Yaga mentors a lonely teen in a wry graphic novel that balances gleefully between the modern and the timeless.
Most children think twice before braving a haunted wood filled with terrifying beasties to match wits with a witch, but not Masha. Her beloved grandma taught her many things: that stories are useful, that magic is fickle, that nothing is too difficult or too dirty to clean. The fearsome witch of folklore needs an assistant, and Masha needs an adventure. She may be clever enough to enter Baba Yaga’s house-on-chicken-legs, but within its walls, deceit is the rule. To earn her place, Masha must pass a series of tests, outfox a territorial bear, and make dinner for her host. No easy task, with children on the menu! Spooky and poignant, Marika McCoola’s stunning debut—with richly layered art by acclaimed graphic artist Emily Carroll—is a storytelling feat and a visual feast.
- Sales Rank: #147038 in Books
- Brand: Mccoola, Marika/ Carroll, Emily (ILT)
- Published on: 2015-08-04
- Released on: 2015-08-04
- Original language: English
- Number of items: 1
- Dimensions: 8.91" h x .63" w x 6.25" l, 1.25 pounds
- Binding: Hardcover
- 136 pages
From School Library Journal
Gr 4–7—Masha is less than thrilled when her widower father announces he is going to remarry. The last thing she wants is a stepmother and stepsister. All she can think of are the tales her grandmother would tell her, filled with evil stepmothers and the terrible trickster Baba Yaga. With emotions running high and feeling unwanted by her father, Masha decides to respond to the following ad: "ASSISTANT WANTED ASAP: Must have skills in hauling, obeying orders, cooking and cleaning. Magical talent a bonus. Must be good with heights. Enter Baba Yaga's house to apply." Not knowing what to expect, but feeling that nothing can be as bad as her situation at home, she heads into the forest. The events that follow help Masha find the strength to survive and endure Baba Yaga's tests and the courage to face what is waiting back home for her. Upper elementary readers will enjoy how the illustrations create a moody and mysterious creepiness surrounding Baba Yaga. The characters are expressively drawn, adding drama to the story. Masha's tween angst will resonate as she copes with her new family situation. VERDICT This title will find a home with fans of R.L. Stine's "Goosebumps" (Scholastic) and Luke Pearson's "Hilda" graphic novel series (Nobrow).—Carol Hirsche, Provo City Library, UT
Review
This is the opposite of a fairy godmother story, and that’s a very good thing. Baby-eating witches are way more fun. Carroll’s elegant drawings and lush colors are a perfect match with McCoola’s lighthearted and surprisingly heartfelt words.
—Vera Brosgol, Eisner-winning author-illustrator of Anya’s Ghost
As a storyteller, McCoola is as shrewd as Masha and nearly as shrewd as Baba Yaga...There are all sorts of curricular possibilities here: exploration of folktale retellings, discussion about modernization, and even analysis of the use of the wordless panels and how art moves the story forward, but mostly this graphic novel deserves to just be savored as an old story yanked into modernity and told with aplomb.
—Bulletin of the Center for Children's Books (starred review)
trong, complex characters and the inventive fusion of contemporary and fairy tale elements make this a noteworthy collaboration.
—Publishers Weekly
Carroll’s dark yet luminous artwork is a perfect match for McCoola’s tale, particularly when she illustrates the classic Baba Yaga stories interspersed throughout...A perfect match for Deb Lucke’s The Lunch Witch (2015).
—Booklist
McCoola's offering is a well-nuanced delight, satisfyingly blending fairy tale, legend, and thrills. As a perfect complement, Carroll's evocative art enthralls, capturing both the emotion and the magic of McCoola's yarn and breathing new life into an old folk tale. Though structured like a fairy tale, this clever and well-appointed graphic novel is refreshingly modern and obviously enjoys playing with conventions. A magnificently magical must-read for all fairy-tale fans.
—Kirkus Reviews
Upper elementary readers will enjoy how the illustrations create a moody and mysterious creepiness surrounding Baba Yaga. The characters are expressively drawn, adding drama to the story. Masha’s tween angst will resonate as she copes with her new family situation. This title will find a home with fans of R. L. Stine’s "Goosebumps" (Scholastic) and Luke Pearson’s "Hilda" graphic novel series (Nobrow).
—School Library Journal
Comprised of short chapters, this graphic novel shines in its pacing, harmony of image and text, and use of flashbacks and stories-within-stories to advance plot. With vivid coloring, Carroll’s digital art establishes setting and tone. Rhythmic omniscient narration and ornate panel borders for the flashback scenes spotlight the story’s Russian folkloric roots.
—The Horn Book
Readers...will delight in this retelling of a classic story as a graphic novel.
—School Library Connection
About the Author
Marika McCoola has an MA in writing for children from Simmons College and is a former children’s book buyer at an independent bookstore in Massachusetts. Baba Yaga’s Assistant marks her publishing debut. She lives in Massachusetts.
Emily Carroll is the author-illustrator of the acclaimed and best-selling graphic story collection Through the Woods, as well as numerous web comics. She lives in Stratford, Ontario.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Baba Yaga for a new generation of readers
By The Compulsive Reader
I fell in love with Emily Carroll's work when I first discovered Through the Woods last summer. Her fairy tale with a twist short stories are deliciously dark, and they have just the right playful or romantic elements in just the right places. I've been eagerly looking forward to a new book from her, and this one is, sort of. Baba Yaga's Assistant is written by Marika McCoola, and Emily Carroll's fantastic illustrations bring the story to life.
Masha is a lonely teen who misses her grandmother, the only mother figure in her life since her mother has long since passed away. When her distant father begins a relationship with a new woman with a bratty daughter, Masha flees home and decides to become Baba Yaga's assistant.
Baba Yaga tests Masha, both mentally and magically. Masha is able to rely on her own wit and knack for magic, in addition to the stories that her grandmother told her to prove that she has what it takes to be Baba Yaga's next assistant. But when the darker stories about Baba Yaga prove to be true, Masha will have to figure out a way to not only pass her tests, but outsmart her altogether.
I really enjoyed the many different incarnations of Baba Yaga, and how McCoola incorporated many stories about her character within the narrative. Baba Yaga may remain somewhat of an enigma, but we learn a lot about Masha from her determination and sensible approach to dealing with Baba Yaga's pranks and tricks. Carroll's colorful artwork does a wonderful job at capturing both the playful and dangerous sides of the Baba Yaga myths, and the desperation that Masha feels when she leaves home. I only hope that there are more tales about Masha in the future, because I was very sad when this book ended!
1 of 1 people found the following review helpful.
Captures the Spirit of Baba Yaga, With Some Bonus Sly Humor
By Pop Bop
I almost gave up at the start of this book because of the heroine's unrelenting angsty moping. But be patient, after the setup and then the appearance of Baba Yaga the book really takes off.
We start with our heroine Masha. Her beloved mother died when she was a child, leaving her to be raised by a distant father and a loving, wise, romantic and possibly magical grandmother. Then grandmother dies, although we get to know her well through numerous flashbacks. Distant Dad suddenly decides to remarry. We get an actually very nice step-mother and a horrible, bratty little step-sister. At this point Masha decides to run away and seek out Baba Yaga, who needs a new assistant. Also at this point I would have been fine if Baba had just eaten Masha and called it a day.
But wait. In the woods, confronted by Baba Yaga's chicken leg house, Masha transforms into a resourceful, funny, clever and spirited heroine. Baba Yaga turns out to be full of sarcastic wisecracks. We end up with a very entertaining battle of wills between these two. The fun angle is that as Baba Yaga sets tests for Masha, Masha has to flash back to old Baba Yaga stories and to tales told to Masha by her grandmother in order to figure out how to pass the various tests. That's how we end up getting a mix of old-fashioned Baba Yaga and modern Baba Yaga. It reads like an anthology of Baba Yaga stories, but all tied together into the story of Masha's trials.
The inspired illustrations really help carry the day. Masha is the least well realized character, sometimes being drawn in a bland and flat style and sometimes drawn with a little oomph. The illustrator had to distinguish between present day action, flashbacks, and Masha's remembering of the old folk tales, and she used different drawing and coloring styles to try to keep these different aspects of the story distinct. That worked pretty well. In any event, Baba Yaga is always sharp, crazed and compelling on the page. (See, the book cover.) The same is true for her house-on-chicken-legs, which has quite a personality of its own.
So, there's a lot going on here, but the bottom line for me was that this seemed to be a very inviting and accessible intro to the old Russian tales, and nicely drawn and written for a middle grade reader. That was a tough order to fill, and I'd call it a success.
Please note that I received a free advance ecopy of this book in exchange for a candid review. Apart from that I have no connection at all to either the author or the publisher of this book.
1 of 1 people found the following review helpful.
Really enjoyed this one
By Skye Kilaen
Masha’s father hasn’t been there for her, not since the death of Masha’s mother long ago, or the recent loss of the grandmother who raised her. Now he’s marrying a woman he hasn’t even introduced to Masha previously. Not okay! So Masha answers an ad to become Baba Yaga’s assistant. Armed with the stories her grandmother told her about the witch, she sets out to pass the tests she’s given as part of the job… without betraying her own conscience. Masha is smart and capable, which makes sense given she’s been basically alone for quite some time. (I really don’t like her dad, can you tell?)
The book blends Masha’s current trials with memories of her past. She’s trying to find her own place in the world, since her old one is gone. Some of the flashbacks are profoundly sad, but the overall feeling of the book is of Masha getting her feet under her. Carroll’s cartooning is skilled, handling the changes from past to present well. There is no happy reunion here, though Masha does talk to her father once more. But it’s her time to move forward.
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