Minggu, 28 Agustus 2011

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  • Published on: 1975
  • Binding: Paperback

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Jumat, 19 Agustus 2011

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Social action is central to social thought. This centrality reflects the overwhelming causal significance of action for social life, the centrality of action to any account of social phenomena, and the fact that conventions and normativity are features of human activity. This 2001 book provides philosophical analyses of fundamental categories of human social action, including cooperative action, conventional action, social norm governed action, and the actions of the occupants of organizational roles. A distinctive feature of the book is that it applies these theories of social action categories to some important moral issues that arise in social contexts such as the collective responsibility for environmental pollution, humanitarian intervention, and dealing with the rights of minority groups. Avoiding both the excessively atomistic individualism of rational choice theorists and implausible collectivist assumptions, this important book will be widely read by philosophers of the social sciences, political scientists and sociologists.

  • Sales Rank: #2935895 in eBooks
  • Published on: 2001-11-26
  • Released on: 2001-11-26
  • Format: Kindle eBook

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Rabu, 17 Agustus 2011

[S237.Ebook] Free Ebook Lysistrata and Other Plays, by Aristophanes

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The acknowledged master of Greek comedy, Aristophanes brilliantly combines serious political satire with bawdiness, pyrotechnical bombast with delicate lyrics. "Lysistrata and Other Plays" features his four most celebrated masterpieces: THE CLOUDS, THE BIRDS, LYSISTRATA, and THE FROGS. This edition features wonderful translations of "The Clouds", "The Birds", "Lysistrata", and "The Frogs". The humor and satire is well-managed within the translation, particularly within "Lysistrata". The bantering dialogue within the play is hilarious from the exhortations of the women to their fellow sisters to abstain from sex with their men (regardless of their own strong, womanly desires) to the tongue-in-cheek dialogue between a teasing wife and her impatient husband, to the final division of land to be 'presented' in the form of a nude lady acting as a visual aid. "Lysistrata and Other Plays " includes THE CLOUDS. The most controversial of Aristophanes' plays, it is a brilliant caricature of the philosopher Socrates, seen as a wily sophist who teaches men to cheat through cunning argument. THE BIRDS: This portrayal of a flawed utopia called Cloudcuckooland is an enchanting escape into the world of free-flying fantasy that explores the eternal dilemmas of man on earth. LYSISTRATA: In the twenty-first year of the Peloponnesian War, the women of Athens and Sparta, tired of the incessant fighting between their men, resolve to withhold sex from their husbands until peace is settled. THE FROGS: Visiting the underworld, the god Dionysus seeks the counsel of the dead tragedians Aeschylus and Euripides on how to bring good writing back to Athens. A fierce debate - full of scathing insults and literary satire - ensues between the two dramatists.

  • Sales Rank: #2768564 in Books
  • Brand: Brand: CreateSpace Independent Publishing Platform
  • Published on: 2010-07-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .55" w x 6.00" l, .74 pounds
  • Binding: Paperback
  • 244 pages
Features
  • Used Book in Good Condition

Language Notes
Text: English (translation)
Original Language: Greek

About the Author
Aristophanes (ca. 446-ca. 386 BC), son of Philippus, of the deme Cydathenaus, was a prolific and much acclaimed comic playwright of ancient Athens. Eleven of his forty plays survive virtually complete. These, together with fragments of some of his other plays, provide the only real examples of a genre of comic drama known as Old Comedy, and they are in fact used to define the genre. Also known as the Father of Comedy and the Prince of Ancient Comedy, Aristophanes has been said to recreate the life of ancient Athens more convincingly than any other author. His powers of ridicule were feared and acknowledged by influential contemporaries - Plato singled out Aristophanes' play The Clouds as slander contributing to the trial and execution of Socrates although other satirical playwrights had caricatured the philosopher. His second play, The Babylonians (now lost), was denounced by the demagogue Cleon as a slander against the Athenian polis. It is possible that the case was argued in court but details of the trial are not recorded and Aristophanes caricatured Cleon mercilessly in his subsequent plays, especially The Knights. "In my opinion," he says through the Chorus in that play, "the author-director of comedies has the hardest job of all." He is also known for some famous sayings, such as "By words the mind is winged."

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36 of 37 people found the following review helpful.
Translation with wit but without true character of original
By A Customer
Alan Sommerstein went to some length to translate the puns and plays on words (as further explained in the endnotes), which results in a very active play, and, for the careful reader, wit in nearly every line. He also uses the endnotes to explain further the Greek personalities mentioned in the plays, which adds to the understanding; my recommendation would be to read the play straight, then read the associated endnotes, then reread the play in question.
This translation captures the humor of the original, which ranges from low-brow slapstick to witty one-liners to political asides--a union of vaudeville, Oscar Wilde, and Mark Russell. However, what Sommerstein utterly misses is the form of ancient Greek comedy. The lyric choruses are rendered in choppy iambic lines, with many of them set to tunes from Gilbert & Sullivan. Aristophanes meant to use vulgarity in the acting, not in the lines of the Chorus.
Two stars for verbal wit, two stars for completeness of endnotes, and one star for my love of "Lysistrata", minus one star for excessive use of campy tunes.
(For those of you who do like his translations, or those just looking for the other eight plays, they are contained in two more volumes. Sommerstein collaborated with David Barrett in the volume Knights/Peace/Birds/Women's Assembly/Wealth, while Barrett translated Wasps/Women's Assembly/Frogs. Barrett takes less care with the translation of humor, but does not destroy the credibility of the choral lines.)

22 of 22 people found the following review helpful.
the father of western comedy...
By Jeremy Davies
Brilliantly written and translated (quite a feat considering the many word-plays in ancient Greek...), this book (or any of Arsitophanes' plays for that matter) is a 'must read' for the humourist and the classisist combined. When the King of Syracuse asked Plato what he should read to understand how the average Athenian thought, he was instructed to read Aristophanes. You will be fascinated to see just how 'modern' the humour is, or, as the introduction explains, how 'ancient' our modern comedy is.

'The Clouds', inlcuded in this volume, is the imfamous play that Plato criticised Aristophanes over after the death of Socrates: he claimed that the parody of his teacher helped those who secured Socrates' death. I'd like to think Socrates did not concur. It has been reported that he bowed in good humour after witnessing the performance. Also, 'Lysistrata' is often used as a proto-feminist story - although it is much more interesting than that. Ancient Greeks have, as one of their chief virtues and downfalls a drive to be self examining and critical. It gives todays social relativists plenty of ammunition. Those that use it as an anti-war/peace-at-any-cost story, when it is actually against civil war, have not studied Aristophanes enough, or are prepared to ignore what doesn't work for their cause...

16 of 16 people found the following review helpful.
Aristophanes with Tact
By F. S. L'hoir
I have used this book repeatedly for my classes on women in antiquity, mostly out of habit. Professor Sommerstein's translation is extremely readable, but he is such a gentleman that the really flagrant double entendres of the Greek in "Lysistrata" and the "Acharnians" often pass unnoticed, or must be teased out of the text; and because they have often been rendered into a Scottish dialect, they must be explained. And when humor has to be explained--especially Aristophanic humor--it loses something of its ribaldry in the process of explanation. Nevertheless, the book makes for reading that is painless, pleasant, and usually terribly polite.

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  • Published on: 2008
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  • Sales Rank: #1139638 in Books
  • Brand: Brand: Hope Publishing Company (IL)
  • Published on: 1991-12
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.00" h x 6.00" w x 9.00" l, 1.50 pounds
  • Binding: Paperback
Features
  • ISBN: 9780916642679
  • Condition: New
  • Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Most helpful customer reviews

1 of 1 people found the following review helpful.
Informative, but a dry read
By Sydney Lubin
Parts of this book have been interesting, but I find it very dry reading through it. I bought it for a music class I'm taking in college, and I think it's neat how it has hymns in the back of the book to compare to what you're reading (history-wise and analysis-wise), but it's hard to stay focused on it sometimes.

0 of 0 people found the following review helpful.
Excellent textbook
By KJW
I have found this book to be well researched and presented. The history of hymnology is very thorough. The anthology of hymn examples is quite useful for classroom applications. It would be good to see an expansion of the topics in the introduction into more significant treatment.

3 of 6 people found the following review helpful.
Leaves me searching for more
By Stuart Lauters
A review of hymnody very heavily weighted towards 19th and 20th-century protestantism. The 20 centuries of Western (Roman) hymnody is barely touched and the 20 centuries of Eastern (Orthodox) hymnody is virtually ignored. In contrast, comprehensive, contemporary choices for hymnody studies should include the Hymnal Companion to the Lutheran Book of Worship (Stulken) and The Hymnal 1982 Companion (Glover).

My edition has some typesetting incongruity that makes it appear as though some of the hymn and tune selections were reproduced from other sources.

If you're looking for a comprehensive study of Christian hymnody, you'll probably be disappointed with this choice.

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A Survey of Christian Hymnody, by William Jensen Reynolds, David W. Music, Milburn Price PDF
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Selasa, 09 Agustus 2011

[N100.Ebook] Fee Download The Encyclopedia of Popular Music (Encyclopedia of Popular Music (10 Vols)), by Colin Larkin

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The Encyclopedia of Popular Music (Encyclopedia of Popular Music (10 Vols)), by Colin Larkin

First published in 1992, The Encyclopedia of Popular Music is the largest project ever undertaken for the subject. This authoritative biographical encyclopedia of rock, pop, and jazz artists covers popular music from 1900 to the present, including folk, blues, world music, rock, heavy metal, techno, reggae, and hip hop. Edited and largely written by Colin Larkin, it is exhaustive, meticulous, authoritative - and incredibly fun to read.

Critically lauded in its previous three editions, the Fourth Edition will not disappoint fans seeking authoritative and reliable information about popular music from around the world. Expanded to ten volumes, the new edition contains 6,000 new entries, and extensive revisions and updates throughout, yielding 50% more material than the 1998 Third Edition.

In addition to thousands of biographical entries, this A-Z reference also includes entries covering popular music genres, trends, styles, record lables, venues, and festivals. Key dates, biographies, and further reading are provided for artists covered, along with complete discographies that include record labels, release dates, and a 5-star album rating system. From Grateful Dead to The Killers, from Whitesnake to White Stripes, from R.E.M. to Blink-182, from The Jazz Singer to Jerry Springer - The Opera, and from Bye Bye Birdie to Rent, The Encyclopedia of Popular Music, Fourth Edition has something informative and clever to say about everyone's favorite band.

  • Sales Rank: #2884113 in Books
  • Published on: 2006-11-20
  • Original language: English
  • Number of items: 10
  • Dimensions: 15.30" h x 12.10" w x 10.60" l, 38.90 pounds
  • Binding: Hardcover
  • 8904 pages

From School Library Journal
Grade 7 Up—The creation of this edition was clearly a monumental task and a labor of love for the editor, whose passion for and knowledge of popular music are first made evident in the introductory material. Within its alphabetical, cross-referenced arrangement, this ambitious work provides over 27,000 entries, including 6,000 that are new to this edition. Every aspect of popular music is covered, from Broadway show tunes and rap to heavy metal and big band, from the 1900s to today. The set provides information on artists and other important figures such as producers and songwriters. Entries encapsulate their subjects well even given length limitations. The six-page entry on the Beatles, for example, is concise yet comprehensive, as is the entry on Bob Dylan, which gives readers a clear sense of the man. Larkin and his contributors provide evaluations, using phrases such as "superbly crafted," to describe an album. The writing is always entertaining even when covering less-exciting career details. Each entry concludes with a comprehensive, rated discography covering all mediums and formats produced by the artist, and some also have further-reading lists. The main entries take up eight of this encyclopedia's volumes. The ninth volume provides a healthy quantity of selected album reviews, again presented alphabetically by artist, along with a bibliography, and the final volume is a set index. This title will be invaluable for research.—Tim Wadham, Maricopa County Library District, Phoenix, AZ
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Library Journal
Those who have followed the progress of this excellent work (an LJ Best Reference Book in 1992 as The Guinness Encyclopedia of Popular Music; 2d ed., 1995) assume that Larkin will not disappoint, and here he delivers a monumental and quite handsome update. Anyone unfamiliar with this guide to 20th-century "nonclassical" music?rock, pop, rap, reggae, jazz, country, musical theater, etc.?will be staggered at the breadth and depth of the material. The third edition features 18,500 unsigned entries, normally 150 to 3000 words in length, including 4500 entirely new articles, with updates throughout. In comparison, the 14,500-entry 1992 edition now seems minuscule. Larkin continues to include performers, composers, producers, labels, companies, events, venues, films, and videos. One-hit wonders abound, and the international coverage is a model for all musical reference works. The index is now over 350 pages, with a song index of 50,000 titles, a relief for those confronting "who sang what?" questions. As with earlier editions, this is remarkably up-to-date, although additional "where are they now?" information would be welcome in future editions. Two other significant modifications have been made since 1995. For the first time, accompanying discographies list record labels and feature a five-star rating system; release dates of all recordings continue from earlier editions. The expansion into eight volumes also means that each volume is less unwieldy than before, although more shelf space is required for the set. Even without these new features, this is an acquisition without equal for all academic and public libraries and will easily replace either earlier edition.?Anthony J. Adam, Prairie View A&M Univ. Lib., TX
Copyright 1999 Reed Business Information, Inc.

From Booklist
*Starred Review* Larkin's new edition contains more than 27,000 entries, including 6,000 new ones and updates of many existing ones. The most comprehensive guide to popular music, this work includes virtually all well-known artists as well as thousands who are lesser known. The set has grown from 4 volumes to 10 since the first edition appeared, in 1992. The third edition was published in 1998.

Although the set is international in scope, the majority of the featured artists are from the U.S and the UK, arguably the most important sources of what we call "popular" music. In addition to providing biographical and artistic information about musicians, entries list album titles with release dates, recording labels, and a five-star rating system. The ratings indicate a comparison between the various works of one artist or group, not between the works of different artists. Larkin also includes entries for specific musical styles, record companies, Broadway musicals, and music-related films, such as This Is Spinal Tap. Most entries are one or two paragraphs in length, with longer ones for the most popular and prolific performers and broader topics.

This is an exhaustive survey of popular music. Larkin has spent nearly 40 years writing about, producing, and performing music, and his expertise is well respected. Keeping track of a continually changing industry is not an easy task. Decisions about whether to add or delete artists are based on years of familiarity with music of different styles and the ability to discern the important from the fleeting. Genres included are pop, country, reggae, jazz, Broadway, world music, and light classical, with diverse entries ranging from composer George Auric (1899-1983) to the more recently famous Simon Cowell, of American Idol.

Some other changes from the previous edition are worth noting. Both the song/album title and general indexes have increased by at least half. Larkin demonstrates his ability to remain current by more than doubling the artist and genre bibliography, from 91 to 230 pages, and he also added more than 4,500 short reviews of albums that he was not able to detail in the main artist entries. In 2007 the work will be added as a subscription product to the Grove Music Online database, putting it side-by-side with the most important music reference works. Highly recommended for public and academic libraries. Steven York
Copyright � American Library Association. All rights reserved

Most helpful customer reviews

7 of 9 people found the following review helpful.
Utterly Amazing and, Unfortunately, Utterly Out of Reach
By lbangs
My local library has a copy of this, and if you're lucky, your library does as well. If not, you are missing out, assuming you don't have the 700-plus bucks to slap down for this baby. The editors thoroughly trace the careers of most of the artists you could probably name off the top off your head and rates them from one to five stars. The star ratings in particular are much improved over the previous releases that included the ratings. Fairly comprehensive; I'll only complain that he includes several cheesy Christian heavy metal groups of the eighties and fails to mention any vital Christian artists who actually made great music (There actually are some, like Adam Again, Daniel Amos, or Mark Heard). A special delight is the excellent balance between British and American tastes, not leaning one way more than the other between the (at times) very different critical camps on either side of the Atlantic. Check out your public library for this one, and bring plenty of change to make copies of your favorite entries. Colin would probably kill you, but I won't tell...

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Senin, 08 Agustus 2011

[O573.Ebook] PDF Ebook Duchamp du signe: Ecrits (French Edition), by Marcel Duchamp

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Duchamp du signe: Ecrits (French Edition), by Marcel Duchamp

  • Sales Rank: #13016382 in Books
  • Published on: 1976
  • Original language: French
  • Number of items: 1
  • Binding: Paperback
  • 314 pages

Language Notes
Text: French

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