Rabu, 17 Agustus 2011

[S237.Ebook] Free Ebook Lysistrata and Other Plays, by Aristophanes

Free Ebook Lysistrata and Other Plays, by Aristophanes

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Lysistrata and Other Plays, by Aristophanes

Lysistrata and Other Plays, by Aristophanes



Lysistrata and Other Plays, by Aristophanes

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Lysistrata and Other Plays, by Aristophanes

The acknowledged master of Greek comedy, Aristophanes brilliantly combines serious political satire with bawdiness, pyrotechnical bombast with delicate lyrics. "Lysistrata and Other Plays" features his four most celebrated masterpieces: THE CLOUDS, THE BIRDS, LYSISTRATA, and THE FROGS. This edition features wonderful translations of "The Clouds", "The Birds", "Lysistrata", and "The Frogs". The humor and satire is well-managed within the translation, particularly within "Lysistrata". The bantering dialogue within the play is hilarious from the exhortations of the women to their fellow sisters to abstain from sex with their men (regardless of their own strong, womanly desires) to the tongue-in-cheek dialogue between a teasing wife and her impatient husband, to the final division of land to be 'presented' in the form of a nude lady acting as a visual aid. "Lysistrata and Other Plays " includes THE CLOUDS. The most controversial of Aristophanes' plays, it is a brilliant caricature of the philosopher Socrates, seen as a wily sophist who teaches men to cheat through cunning argument. THE BIRDS: This portrayal of a flawed utopia called Cloudcuckooland is an enchanting escape into the world of free-flying fantasy that explores the eternal dilemmas of man on earth. LYSISTRATA: In the twenty-first year of the Peloponnesian War, the women of Athens and Sparta, tired of the incessant fighting between their men, resolve to withhold sex from their husbands until peace is settled. THE FROGS: Visiting the underworld, the god Dionysus seeks the counsel of the dead tragedians Aeschylus and Euripides on how to bring good writing back to Athens. A fierce debate - full of scathing insults and literary satire - ensues between the two dramatists.

  • Sales Rank: #2768564 in Books
  • Brand: Brand: CreateSpace Independent Publishing Platform
  • Published on: 2010-07-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .55" w x 6.00" l, .74 pounds
  • Binding: Paperback
  • 244 pages
Features
  • Used Book in Good Condition

Language Notes
Text: English (translation)
Original Language: Greek

About the Author
Aristophanes (ca. 446-ca. 386 BC), son of Philippus, of the deme Cydathenaus, was a prolific and much acclaimed comic playwright of ancient Athens. Eleven of his forty plays survive virtually complete. These, together with fragments of some of his other plays, provide the only real examples of a genre of comic drama known as Old Comedy, and they are in fact used to define the genre. Also known as the Father of Comedy and the Prince of Ancient Comedy, Aristophanes has been said to recreate the life of ancient Athens more convincingly than any other author. His powers of ridicule were feared and acknowledged by influential contemporaries - Plato singled out Aristophanes' play The Clouds as slander contributing to the trial and execution of Socrates although other satirical playwrights had caricatured the philosopher. His second play, The Babylonians (now lost), was denounced by the demagogue Cleon as a slander against the Athenian polis. It is possible that the case was argued in court but details of the trial are not recorded and Aristophanes caricatured Cleon mercilessly in his subsequent plays, especially The Knights. "In my opinion," he says through the Chorus in that play, "the author-director of comedies has the hardest job of all." He is also known for some famous sayings, such as "By words the mind is winged."

Most helpful customer reviews

36 of 37 people found the following review helpful.
Translation with wit but without true character of original
By A Customer
Alan Sommerstein went to some length to translate the puns and plays on words (as further explained in the endnotes), which results in a very active play, and, for the careful reader, wit in nearly every line. He also uses the endnotes to explain further the Greek personalities mentioned in the plays, which adds to the understanding; my recommendation would be to read the play straight, then read the associated endnotes, then reread the play in question.
This translation captures the humor of the original, which ranges from low-brow slapstick to witty one-liners to political asides--a union of vaudeville, Oscar Wilde, and Mark Russell. However, what Sommerstein utterly misses is the form of ancient Greek comedy. The lyric choruses are rendered in choppy iambic lines, with many of them set to tunes from Gilbert & Sullivan. Aristophanes meant to use vulgarity in the acting, not in the lines of the Chorus.
Two stars for verbal wit, two stars for completeness of endnotes, and one star for my love of "Lysistrata", minus one star for excessive use of campy tunes.
(For those of you who do like his translations, or those just looking for the other eight plays, they are contained in two more volumes. Sommerstein collaborated with David Barrett in the volume Knights/Peace/Birds/Women's Assembly/Wealth, while Barrett translated Wasps/Women's Assembly/Frogs. Barrett takes less care with the translation of humor, but does not destroy the credibility of the choral lines.)

22 of 22 people found the following review helpful.
the father of western comedy...
By Jeremy Davies
Brilliantly written and translated (quite a feat considering the many word-plays in ancient Greek...), this book (or any of Arsitophanes' plays for that matter) is a 'must read' for the humourist and the classisist combined. When the King of Syracuse asked Plato what he should read to understand how the average Athenian thought, he was instructed to read Aristophanes. You will be fascinated to see just how 'modern' the humour is, or, as the introduction explains, how 'ancient' our modern comedy is.

'The Clouds', inlcuded in this volume, is the imfamous play that Plato criticised Aristophanes over after the death of Socrates: he claimed that the parody of his teacher helped those who secured Socrates' death. I'd like to think Socrates did not concur. It has been reported that he bowed in good humour after witnessing the performance. Also, 'Lysistrata' is often used as a proto-feminist story - although it is much more interesting than that. Ancient Greeks have, as one of their chief virtues and downfalls a drive to be self examining and critical. It gives todays social relativists plenty of ammunition. Those that use it as an anti-war/peace-at-any-cost story, when it is actually against civil war, have not studied Aristophanes enough, or are prepared to ignore what doesn't work for their cause...

16 of 16 people found the following review helpful.
Aristophanes with Tact
By F. S. L'hoir
I have used this book repeatedly for my classes on women in antiquity, mostly out of habit. Professor Sommerstein's translation is extremely readable, but he is such a gentleman that the really flagrant double entendres of the Greek in "Lysistrata" and the "Acharnians" often pass unnoticed, or must be teased out of the text; and because they have often been rendered into a Scottish dialect, they must be explained. And when humor has to be explained--especially Aristophanic humor--it loses something of its ribaldry in the process of explanation. Nevertheless, the book makes for reading that is painless, pleasant, and usually terribly polite.

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