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[E829.Ebook] Get Free Ebook The Musical Structure of Plato's Dialogues, by J.B. Kennedy

Get Free Ebook The Musical Structure of Plato's Dialogues, by J.B. Kennedy

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The Musical Structure of Plato's Dialogues, by J.B. Kennedy

The Musical Structure of Plato's Dialogues, by J.B. Kennedy



The Musical Structure of Plato's Dialogues, by J.B. Kennedy

Get Free Ebook The Musical Structure of Plato's Dialogues, by J.B. Kennedy

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The Musical Structure of Plato's Dialogues, by J.B. Kennedy

J. B. Kennedy argues that Plato's dialogues have an unsuspected musical structure and use symbols to encode Pythagorean doctrines. The followers of Pythagoras famously thought that the cosmos had a hidden musical structure and that wise philosophers would be able to hear this harmony of the spheres. Kennedy shows that Plato gave his dialogues a similar, hidden musical structure. He divided each dialogue into twelve parts and inserted symbols at each twelfth to mark a musical note. These passages are relatively harmonious or dissonant, and so traverse the ups and downs of a known musical scale. Many of Plato's ancient followers insisted that Plato used symbols to conceal his own views within the dialogues, but modern scholars have denied this. Kennedy, an expert in Pythagorean mathematics and music theory, now shows that Plato's dialogues do contain a system of symbols. Scholars in the humanities, without knowledge of obsolete Greek mathematics, would not have been able to detect these musical patterns. This book begins with a concise and accessible introduction to Plato's symbolic schemes and the role of allegory in ancient times. The following chapters then annotate the musical symbols in two of Plato's most popular dialogues, the Symposium and Euthyphro, and show that Plato used the musical scale as an outline for structuring his narratives.

  • Sales Rank: #5553060 in Books
  • Brand: Brand: Acumen Publishing
  • Published on: 2014-08-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x 1.20" w x 6.30" l, 1.45 pounds
  • Binding: Hardcover
  • 240 pages
Features
  • Used Book in Good Condition

Review
'A ground-breaking study of Plato's dialogues, which presents an entirely new way of thinking about Plato. The adoption of computer-generated stichometric analysis of Plato's dialogues and its connection to Pythagorean music opens new lines of inquiry not only in philosophy but in music, mathematics, and literary theory. By discovering the elegant formal unity underneath Plato's meandering dialogues, Kennedy has developed a new approach to study Plato.' --Bryn Mawr Classical Review

About the Author
J.B. Kennedy studied mathematics at Princeton and took his doctorate in philosophy at Stanford. He is a Lecturer in the Centre for the History of Science, Technology and Medicine at the University of Manchester. He is the author of Space, Time and Einstein (Acumen, 2002).

Most helpful customer reviews

1 of 1 people found the following review helpful.
A totally new approach to Plato's Dialogues: from literal interpretations and towards allegorical interpretation
By Dagfinn Koch
A mind blowing book, and I would like to quote a review by Mr. Lee Trepanier's, Saginaw Valley State University, wich sums up witch insights this book has to offer: "J.B. Kennedy’s The Musical Structure of Plato’s Dialogues seeks to establish that Plato divided some, if not all, of his dialogues into twelve equal sections. These twelve sections, Kennedy argues, correlate with the Pythagorean twelve division multi-octave musical scale. From his analysis of the Symposium and Euthyphro, Kennedy argues that Plato used the underlying musical scale as an outline for his dialogues, with arguments appearing between notes and major turns in the argument located as notes. These findings support the interpretations of Plato’s followers who insisted that Plato used symbols to conceal his own views in the dialogues. They would also turn contemporary commentators of Plato away from literal interpretations and towards allegorical ones that Plato himself perhaps used."

Please don't judge the book by its cover.

1 of 2 people found the following review helpful.
A footnote to Plato - not the De Vinci code
By Amazon Customer
It is often said that all Western Philosophy is but a footnote to Plato, and this book is an extraordinary footnote indeed! Professor Kennedy argues on mathematical and musical grounds that there is level of meaning encoded in the structure Plato's work and that moreover the underlying material is asserting that Pythagorean mathematics is the basis for understanding the functioning of the universe, not the gods. On the surface just the kind of idea beloved of novelists like Dan Brown, but Professor Kennedy is a scientist making a serious argument basing his theory on counting the lines in the original text and the appearance at precise musical intervals in the Greek scale of key ideas - positive where the interval is harmonious and negative where the interval is dissonant. Note: I have not read this book yet but I have read Professor Kennedy's earlier announcements of having discovered a hidden symbolic structure in Plato's dialogues and found it worthy of serious consideration. There is a lot of material on the web including interviews of Professor Kennedy for prospective readers to check. So like a lot of other people I have been waiting for this book. Interestingly Plato's ancient followers asserted that his work contained a hidden symbolic structure based on Pythagoras but in the absence of convincing evidence modern scholars have naturally discounted it. Kennedy's discovery emerged while teaching a course based on his specialized knowledge of the mathematics of ancient music and simultaneously teaching a course on Plato's philosophy. While many authors purposely obscure meaning for a variety of reasons Professor Kennedy argues powerfully that the threat of religious persecution motivated Plato. Plato had seen his own teacher Socrates executed for challenging the religion of his day and himself went into exile from Athens, arguably to avoid persecution. The dangerous belief that Kennedy thinks Plato was hiding was the Pythagorean idea that mathematics, not Zeus, was the key to understanding nature. As a scientist Kennedy quite rightly sees his discovery as bearing directly on the birth of modern science. If Kennedy's theory becomes generally accepted it will be fascinating to see the of reevaluation of Plato's work. I can't vouch for the readability of this book, but Professor Kennedy earlier book Space, Time, and Einstein which is an introduction to Physics for the layman is eminently readable. If Western Philosophy and the history of science interests you then this book merits you serious consideration.

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